COLLIE, William


  
William Collie
 1826-1900

William Collie [sometimes William Leys Collie] was born about 1826 in Aberdeenshire, Scotland the second son of Elizabeth Leys (Betty) and her husband Alexander Collie, a slater and slate merchant. He was baptised on 8 March 1826 at St Nicholas, Aberdeen. In 1841 then aged 14 years he was living at Shiprow in Aberdeen. Ten years later he had moved to East Budleigh, Devon where he was a teacher of English, the Classics and Drawing. 

 The baptism record of William Collie
reference - 08/03/1826 Collie, William O.P.R. Births 168/0A 0210 0296 Aberdeen
ScotlandsPeople


He arrived in New Zealand about 1857 aged about 31 years. In 1880 he moved to New South Wales and died there unmarried, about November 1900 aged about 74 years. The death was registered at Granville, New South Wales, number 1681/1900. 

Family in Scotland
William Collie's father Alexander Collie was born about 1789 in Fetteresso, Kincardineshire, in 1851 he was a slater employing 5 men, he died in 1864. His mother Elizabeth Leys was born about 1799 in Aberdeen the daughter of James Ley and Margaret Farquharson,  she died in 1856.

Children of Alexander Collie and Elizabeth Leys:
1. Alexander Collie born Aberdeen, baptised 8 November 1823 Saint Nicholas, Aberdeen, died 14 January 1898 at Harlaw House, Inverurie in his 74th year, buried Chapel of Garioch churchyard, married 1856 Isabella Connon she died 18 May 1896 at Harlaw House in her 61st year.
issue: 
1a. William Leys Collie born 5 September 1857 Aberdeen, died 8 April 1941, Harlaw House, Inverurie aged 83 years.
1b. Elizabeth Leys Collie born 12 January 1859,  died 7 September 1939, Harlaw House, Inverurie aged 80 years, artist, studied at the Aberdeen School of Art and the Académie Julian in Paris.

2. William Collie baptised 8 March 1826 Saint Nicholas, Aberdeen, died about 1900 New South Wales, Australia, unmarried.

3. Elizabeth Collie baptised 1 March 1828 [born?] Saint Nicholas, Aberdeen, married 9 September 1852,  by the Rev. David Johnston at the Suffolk Street Congregational Church, Glasgow, Captain William Duthie Wood of the "Waterwitch" of Aberdeen [1], son of John Wood and Janet Old, born 15 October 1826 Aberdeen.

4. David Collie baptised 31 December 1835 [born?] Saint Nicholas, Aberdeen.


At 28, Shiprow, on the 15th inst., Elizabeth Leys, wife of Mr Alexander Collie, slater, much regretted. While performed the duties of a loving wife and an affectionate mother, her warm heart ever glowed with love for the cause of her Redeemer, both at home and abroad. Her death will be much felt by many a poor and destitute creature, and her memory long cherished by a wide circle of friends and acquaintances.
The Aberdeen Journal (Aberdeen, Scotland), Wednesday, November 26, 1856; Issue 5681.



1841 census Shiprow, Aberdeen - William Collie aged 14 born Aberdeenshire.
1851 census East Budleigh, Devon - William Collie, head, unmarried aged 25 years,  Teacher of English, the Classics and Drawing, born Scotland. 

The Aberdeen Journal (Aberdeen, Scotland), Wednesday, June 29, 1864; Issue 6077.


Chapel of Garioch - Entertainment.
A very enjoyable magic lantern entertainment was given in the Logie-Durno School on Friday evening last. Scenes, comic, astronomic, and historical, were beautifully shown by Mr. Wm. Collie, Harlaw House, who, in choice and appropriate language, described the various views to a large and appreciative audience. The astronomic moving views, which beautifully illustrated the various movements of the heavenly bodies, were specially admired, and greeted with applause ... the proceeds, which were, we understand, considerable, are intended for the improvement of a church road.
Aberdeen Weekly Journal, January 16, 1884; Issue 9026


Sale of an Aberdeenshire Estate. - The southern portion of the Lands of Inveramsay have been purchased for
£10,250 from Messrs Robertson & Lumsden, agent for the proprietors, by Messrs James & George Collie, advocates, on behalf of Mr Alexander Collie, Harlaw House.
Aberdeen Weekly Journal, Wednesday, October 2, 1889; Issue 10813.


 
 Aberdeen Weekly Journal, Wednesday, January 19, 1898; Issue 7828.

[1] The Aberdeen Journal (Aberdeen, Scotland), Wednesday, September 15, 1852; Issue 5462.


 New Zealand
William Collie arrived in New Zealand in about 1857 and operated a circulating library in Trafalgar Street, Nelson until about December 1858. He then moved to Blenheim where he was a bookseller, stationer and dealer in fancy goods in Market Place. Sometime before 1868 he also opened a portrait gallery. In 1874 he moved to Napier where he worked as a portrait and landscape photographer. He may have lived briefly in Tauranga or Auckland before moving in 1880 to New South Wales where he died in 1900.

William Collie visited Rotomahana in 1875 and photographed the Pink and White Terraces. [Otukapuarangi and Te Tarata]. The terraces were New Zealand's most famous tourist attraction, sometimes referred to as the Eighth Wonder of the World. They were destroyed on 9–10 June 1886 during Mount Tarawera eruption. 

In 1877 he visited White Island; his photographs were the first taken of the island. The following year he made two visits to Ngauruhoe. His first visit was in February or March 1878 however his camera and plates were taken from him by the natives. He appears not to have returned with or published any photographs from this visit. He returned to Ngauruhoe about December 1878 and photographs from this trip were advertised in April 1879.

Exhibited photographs:
  • Christchurch Exhibition 1872 - 1873.
  • Vienna Exhibition in 1873 - six photographs. [Daily Southern Cross, Volume XXIX, Issue 4982, 12 August 1873, Page 3 and Press, Volume XXI, Issue 2316, 3 January 1873, Page 2]
  • Sydney Exhibition - 1880


Nelson
(1857-1858)


Nelson Examiner and New Zealand Chronicle, Volume XVII, 13 March 1858, Page 2



Nelson Examiner and New Zealand Chronicle, Volume XVII, Issue 47, 12 June 1858, Page 2


William Collie's letter to the editor of the Nelson Examiner against Chinese emigration to New Zealand.
Nelson Examiner and New Zealand Chronicle, Volume XVII, Issue 48, 16 June 1858, Page 2



 Nelson Examiner and New Zealand Chronicle, Volume XVII, Issue 49, 19 June 1858, Page 2




Blenheim
(1858-1874)


 
unknown man by William Collie
[purchased December 2021]


  Nelson Examiner and New Zealand Chronicle, Volume XVII, Issue 104, 29 December 1858, Page 2
[Beaver was the original name for Blenheim]



Marlborough Express, Volume III, Issue 96, 11 January 1868, Page 1 

 



We have received an excellent photograph by Mr. Collie, representing Market-street during the last flood. The spectator stands in front of the Government Buildings looking northwards on the right is Collie's shop and bridge, with the water nearly level with it. At the end adjoining Galloway's, is a group of well-known persons. Beyond Galloway's the shops are shown to the top of the street, where Elbeck's store is just visible, and out in the distance is one side of the Royal Hotel, and the Presbyterian Church in course of erection. On the left are Kitchen's and Nosworthy Bros.' store while in the centre is a boat supposed to be ferrying across the gully. The ensemble forms an excellent picture, which is extremely creditable to the artist, and our readers will do well to orders [sic] copies in time, who intend to send them home by the next mail.
Marlborough Express, Volume III, Issue 109, 28 March 1868, Page 1


above and below - Flooding in Blenheim
by William Collie, photographer, Blenheim.




Marlborough Express, Volume III, Issue 124, 4 July 1868, Page 6



Mr. William Collie, stationer, of Blenheim, has become a bankrupt.
Colonist, Volume XIV, Issue 1399, 21 February 1871, Page 3



Colonist, Volume XIV, Issue 1417, 25 April 1871, Page 2



Wellington Independent, Volume XXVI, Issue 3331, 28 October 1871, Page 3



1870-71 Wairau Electoral Roll, page 3, no. 73: 
William Collie, Blenheim, 
household section 9
freehold sections 90, 91, 108, part of 31.





The Vienna Exhibition
The Following are the articles which have been selected from those shown at the Christchurch Exhibition to be forwarded to Vienna:- ....Fine Arts
W. N. Blair - photographs, Rangitata bridge, by exhibitor. W. T. L. Travers, New Zealand scenery in North Island, Lake Guyon and creek scenes, by exhibitor (twelve beautiful views). Colonial Museum — Collections of flax and feather mats. Forty-six photographs, mostly consisting, of North Island scenery by D. L. Mundy. Six photographs by W. Collie ....
Press, Volume XXI, Issue 2316, 3 January 1873, Page 2


His Honor the Superintendent has entrusted Mr Maskell with the task of preparing the information for the Marlborough portion of the intended work to be edited by Mr Vogel for distribution in England among intending Immigrants. Mr Maskell will be glad of aid from those of our older settlers who may be able to contribute items relative to the early history of Marlborough.

We learn that the collection of photographs of local interest has been received by the Secretary, and as soon as the frames are completed they will he exhibited to the public. It will be remembered that a subscription was opened for the purpose of obtaining the views in question, and that Mr Collie was employed for the purpose.

Marlborough Express, Volume VIII, Issue 551, 8 November 1873, Page 5


We understand that at a recent exhibition of photographs in America, one of a view near Massacre Hill by Mr Collie, of Blenheim, obtained a third place, and honorable mention, among a very large number of competitors from all parts of the world.
Marlborough Express, Volume IX, Issue 629, 8 August 1874, Page 5
 
 
 
unknown woman by W. H. Macey, late W. Collie
[purchased December 2021]

 


The Telegraph in a late issue acknowledges, with thanks, the receipt from Mr W. Collie, of Napier, of a collection of very beautiful photographic views of Rotomahana, accompanied by a descriptive letter, which it promises to publish.

Marlborough Express, Volume X, Issue 690, 6 March 1875, Page 5


Mr Macey has favoured us with a view of a collection of large photographs, taken in the Taupo district by our whilom [former] townsman Mr Collie. The series includes views of the wondrous falls of Rotomahana, and its boiling springs the white and pink terraces the boiling cauldron; and the same place when the water has sunk away and an instantaneous picture of the upper basin of the white terrace. As works of art these pictures are superb, and when examined through an ordinary magnifying glass have quite a stereoscopic effect, and our opinion only confirms that entertained by the public of Napier, as signified by the demand for copies, which is greatly in excess of Mr Collie's means of supplying them.

Marlborough Express, Volume X, Issue 691, 10 March 1875, Page 3



above and below - photographs of unknown locations
by William Collie, photographer, Blenheim.




Marlborough Express, Volume X, Issue 696, 27 March 1875, Page 4



above - carte de visite by Collie, location not known



Napier
 (1874-1880)
His studio was in Hastings Street.


Some interesting novelties in photography may be seen at Mr. W. G. Jackson's stationer, Lambton Quay. They consist of some admirable photographic views of the geysers and other natural wonders of Rotomahana, taken by the instantaneous process, and giving every minute detail with marvellous clearness and accuracy. This is the more surprising as volumes of vapor are always rising and greatly obstruct the photographer. In this case, however, although the ascending vapor is faithfully reproduced, it does not at all interfere with the clearness of the picture. One view represents the bottom of the caldron on a recent occasion when it was quite empty, an event of most rare occurrence. The pink and white terraces are represented with great effect. These views will well repay a visit of inspection. They have been taken by Mr. William Collie, of Napier, and are very tastefully mounted.
Evening Post, Volume XI, Issue 92, 17 June 1875, Page 2



 Evening Post, Volume XII, Issue 24, 28 July 1875, Page 2








No. 3 - The Bottom of the Cauldron of Rotomahana, when the boiling water had sunk away.
by William Collie


No. 4 - The Bottom of the Cauldron of Rotomahana, when empty, the stream beginning to rise again,
by William Collie



No. 6 - Nature's Fonts on the White Terrace of Rotomahana,
by William Collie



No. 7 - The Middle of the White Terrace of Rotomahana,
by William Collie



Ohinemutu, the Village of Hot Springs on the Border of Lake Rotorua,
by William Collie



The Boiling Cauldron of Rotomahana, a Maori on the Rock,
by William Collie



The Mountain, Hot Spring, White Terrace, and Lake of Rotomahana, 1874,
by William Collie



Instantaneous View of the Steaming Upper Basins of Rotomahana, 1874,
by William Collie



Hawke's Bay Herald, Volume XX, Issue 3857, 24 February 1877, Page 3



Whakaari / White Island
William Collie visited White Island during the period 5 April 1877 to 29 April 1877.

During the last two or three days there has been some uneasiness felt as the safety of Mr Collie, who left here on the 2nd ult. with the purpose of passing about three weeks on White Island, to take photographic views of the scenery there. He and a young lad [Frederick Ernest Lys] were landed on the island on April 5th, water and provisions being left with them to suffice until the return voyage of the steamer. Yesterday morning there was a report that the vessel had called at the island, but could find no trace of either Mr Collie or the boy, but later in the day Mr Macey received a telegram from Mr Collie, dated from Tauranga, stating that he had been picked off the island that morning by the Pretty Jane.
Hawke's Bay Herald, Volume XX, Issue 3903, 1 May 1877, Page 2


Mr Collie, photographic artist, of Napier whose excellent views of Rotomahana are doubtless familiar to many of our readers, was a passenger by the ss Pretty Jane on Monday, after having spent a month on White Island, where he has been taking photographic views.

Mr Collie, accompanied by his young son [sic], was landed on this desolate spot about a month ago by the s s Pretty Jane on her way from Napier, and took all his provisions and also fresh water with him, as there is none to be found on the island. He pitched his tent at the southern end, and though the sulphurous vapour which occasionally clouded the air was rather unpleasant, it was not found necessary at any time to shift the camp. The burning masses of sulphur are at the west end of the lake situated on the western side of the islaud, and looking across the lake at night the fires and steam are plainly visible.

Taking the views was found to be a difficult undertaking, owing to the motion of the steam, which, driven by the wind in one direction or another, was continually obscuring the atmosphere, but after three weeks' patient labour, several good results were produced.

It was arranged that the Pretty Jane should fetch Mr Collie off the island on her next trip to Gisborne, but the captain was afraid that if the weather prevented her doing so, Mr Collie would run out of provisions. The steamer called therefore on Saturday night, and about midnight Mr Collie was awakened by shouts from the men in the steamers boat, the whistle of the steamer not having been heard; a speedy packing up ensued, and Mr Collie and his son were taken on board without delay. 

Mr Collie speaks very highly of the interest taken in his project, by Captain Helander, and all on board the Pretty Jane, they having done everything in their power to assist him. We understand that Mr Collie is endeavouring to take views of all the  scenery in New Zealand presenting any extraordinary natural characteristics as exist at the Rotorua, and Rotomahana Lake District, and at Sulphur Island. 

These pictures Mr Collie believes will in time become historical records, his impression being that the present distinctive features of these wonderful spots will gradually disappear.
Bay of Plenty Times, Volume V, Issue 483, 2 May 1877, Page 3


 New Zealand Herald, Volume XIV, Issue 4823, 2 May 1877, Page 2
 The "s.s. Pretty Jane" arrived back in Auckland on 2 May 1877 with William Collie and the boy Ernest Lys.


The well-known artist, Mr. Collie, whose pictures of the Lake District are familiar to the Auckland public, has arrived by the s.s. Pretty Jane from the East Coast. For the past three weeks Mr. Collie has been sojourning on the celebrated White Island, and during his stay, has been successful in obtaining some splendid views of the most wonderful portions of that island.

New Zealand Herald, Volume XIV, Issue 4823, 2 May 1877, Page 2 

 
The Graphic of September 28 [see below] has three engraved views of White Island, New Zealand, viz., the Boulder Beach, the Sentinel Rock, and the Hot Springs of Cape Hope [sic]. In the letterpress description the engravings are stated to be from photographs of Mr Collie, of Napier, who, accompanied by a youth, camped out on the island for 25 days.
Hawke's Bay Herald, Volume XXI, Issue 5247, 4 December 1878, Page 2

 

Sketches from the Antipodes
White Island, New Zealand

The Hot Springs of Lake Hope

 
 The Boulder Beach

 
The "Sentinel" Rock, dedicated to the memory of Captain Cook.
The Graphic, 28 September 1878 page 320





Hawke's Bay Herald, Volume XX, Issue 3923, 4 June 1877, Page 3


Mr Collie, the well-known photographer of Hastings-street, announces that he will exhibit in the Oddfellows' Hall this evening a series of transparencies of New Zealand landscapes, shown by means of oxyhydrogen light. The scenes pourtrayed (sic) will be described by Mr Collie.
Hawke's Bay Herald, Volume XX, Issue 3926, 7 June 1877, Page 2



Hawke's Bay Herald, Volume XX, Issue 3934, 25 June 1877, Page 3



Hawke's Bay Herald, Volume XX, Issue 3937, 28 June 1877, Page 3


 
Hawke's Bay Herald, Volume XXI, Issue 4083, 5 January 1878, Page 2


Hawke's Bay Herald, Volume XXI, Issue 5102, 14 June 1878, Page 5
 [this notice continued in the Hawke's Bay Herald until 16 September 1878] 




Copyright.— The Fine Arts Copying Act," introduced by Mr Travers, enacts that the author, being a resident within the colony, of every original painting, drawing, engraving, useful or ornamental design, sculpture, and photograph, and the negative of any photograph which shall be or shall have been made either in New Zealand or elsewhere, and which shall not have been disposed of before the commencement of this Act, and his assigns shall have the exclusive right to sell, copy, engrave, reproduce, and multiply such work of art by any means and of any size, for the term of the natural life of such author, and seven years after his death. There is a penal clause which affects persons fraudulently signing or affixing upon any work of art any initials or monogram not their own, or selling and publishing any work of art so treated. This measure, we should imagine, is rather premature in the present development of high art in the colony, but perhaps the promoter may have good reasons for thinking it should be on the Statute Book. 

(This is the Bill which Mr Collie, formerly of Blenheim, made the object of his life for many years. This has been attained at last.)
Marlborough Express, Volume XIII, Issue 991, 16 January 1878, Page 5


Napier — Town section 272 (Collie's shop), 24 feet frontage to Hastings-street, lease of 10 years at £50 per annum £660 (J. Higgins).
Hawke's Bay Herald, Volume XXI, Issue 5122, 10 July 1878, Page 2

 
 We have received a choice selection of Collies' s photographs representing some of the most interesting scenery in the North Island, including views of the Hot Lakes, and the world renowned terraces. They are taken in a highly artistic matter, and are wellmounted on card. Collie's photo's of White Island representing amongst other places Crater Bay are the only ones yet taken.
Bay of Plenty Times, Volume VII, Issue 631, 24 September 1878, Page 3


Hawke's Bay Herald, Volume XXI, Issue 5215, 26 October 1878, Page 3



Marlborough Express, Volume XIII, Issue 1075, 2 November 1878, Page 2


 Hawke's Bay Herald, Volume XXI, Issue 5226, 9 November 1878, Page 3


Hawke's Bay Herald, Volume XXI, Issue 5299, 5 February 1879, Page 3


New Zealand Herald, Volume XVI, Issue 5394, 1 March 1879, Page 5


 
Hawke's Bay Herald, Volume XXI, Issue 5355, 14 April 1879, Page 3


The Sydney Exhibition
A very interesting exhibit is a series of twenty-two silver prints — negatives taken by the wet calladion [sic] process, by W. Collie, of Napier. Amongst them is an instantaneous view of the principal street in Napier with natural clouds. The others are chiefly lonely views of some of the beautiful mountain scenery of the neighbourhood. 
Auckland Star, Volume X, Issue 2957, 6 October 1879, Page 3


Hawke's Bay Herald, Volume XXI, Issue 5360, 19 April 1879, Page 3


In 1880 he was a witness it the trial of those involved in an affray at Ohinemutu. He was described as Wm. Collie, landscape photographer.
Bay of Plenty Times, Volume IX, Issue 856, 9 March 1880, Page 3
  


New Zealand Photographs at the Sydney Exhibition.

The Sydney Morning Herald, in a late article on photographic exhibits, is specially complimentary on those from New Zealand. Our contemporary says:- "It is startling to find a country which but a few years back was a stranger to the arts of civilisation producing numbers of works of the most artistic character, and closely rivalling those of lands in which a refined taste has been cultivated for centuries."

Speaking of New Zealand scenes, by Mr. Collie, of Napier, the Herald adds :-" Nothing we have ever seen at English photographic exhibitions could surpass them. They are simply perfection."

Its notice concludes thus:- "Mr. R. H. Bartlett, of Auckland; Mr. A. T. Bothamley, of Wellington; Messrs. Foy Brothers, of Thames; Mr. W. B. Gibbes, of Wellington; Messrs. Hart, Campbell and Co., of Queenstown, Wakatipu; Mr. J. I. Taylor, of Motueka, Nelson; and Mr. W. T. L. Locke Travers, also exhibit a splendid collection of photographs of New Zealand scenery, to the merits  of which it would take a volume to do justice. In addition to these the Oamaru Chamber of Commerce, the Wellington City Council, the Corporation of Dunedin, and the Hokitika Committee each exhibit numerous photographs, specially taken under their superintendence, in which the scenic glories and marvels of the wonderful land of the Maori are produced with astonishing fidelity to nature."
Evening Post, Volume XIX, Issue 91, 21 April 1880, Page 2


Applications have been made for space at the Melbourne Exhibition for the following exhibits from Hawke's Bay ...  S. Carnell, photographs enlarged ...  W. Collie, 12 silver prints ...
Hawke's Bay Herald, Volume XXI, Issue 5732, 5 July 1880, Page 2


In August 1880 he had a residence in Tauranga - Edgcumbe Road (West Side.)
Collie, William, photographer. Private residence.
Bay of Plenty Times, Volume IX, Issue 925, 17 August 1880, Page 3



Marlborough Express, Volume XXII, Issue 197, 20 October 1886, Page 2


A story is going the round of the colony about the finding of Mr Collie's camera on the slopes of Ngaruahoe, and to it is appended a remark that "from appearances it looks rather as if the artist had got scared at the rumblings of the volcano, dropped his instruments, and fled."
 

Whoever invented this surmise did not know Mr Collie or his history. I knew him well, and how unlikely this insinuation is. He was very eccentric, but very truthful. I need only mention that he once induced the captain of one of the Union boats to land him on White Island, where he had to remain a month, during which time he was photographing that sulphurous volcanic region, until the steamer called for him again, and his photos of that terrific place are the only ones I have seen. That is not the man to run away frightened from Ngaruahoe and invent a fable about it.
Hawke's Bay Herald, Volume XXVIII, Issue 9391, 6 June 1893, Page 4


Australia
(1880-1900)


Nepean Times (Penrith, NSW), 6 December 1890, page 5


 Nepean Times, (Penrith, NSW), 7 February 1891 page 5


Nepean Times, (Penrith, NSW), 19 December 1891 page 4



An Old Identity Gone.
An old settler who played a not unimportant part in earlier affairs of Blenheim passed away recently at Barral (Bowral?), a township of New South Wales. Though it is nearly thirty years since he left Blenheim, many will remember Mr William Collie. 

He came here about the year 1857, and for many years was in business as a photographer and bookseller. Taking an active interest in political and municipal matters and being of a progressive and energetic turn of mind, he was a citizen of considerable influence and did excellent work as a member of the Borough Council and Chairman of the Education Committee. Deceased was a member of Blenheim's first Borough Council. 

He was one of the petitioners for the establishment of Marlborough as a province and was to the fore in getting the name of our town changed from "Beaver" to Blenheim, urging that it was appropriate that the capital of a province named after one of England's greatest generals should commemorate his most famous victory, whatever might be said about the suggestivenees of local conditions. If only for this reason present and future residents will have a kindly thought for the deceased gentleman. He himself presented the latter petition to the Governor. 

Deceased's own name is perpetuated in "Collie's Hollow," by which the depression running through the centre of the town is known. 

Mr Collie lived in Blenheim for about 17 years, leaving in 1874 for the North Island. He was at Napier for some time, then went to Auckland, and during the Melbourne Exhibition crossed over to Australia [The Melbourne International Exhibition was held from 1 October 1880 until 30 April 1881], in search of a climate more suitable for the rheumatic affection from which he suffered. 

Deceased, who never married, attained the age of 74 years, and the news of his death came to Mr W. Macey, of Blenheim, in a recent mail.
Marlborough Express, Volume XXXIV, Issue 255, 3 November 1900, Page 4



 
A Daring Photographer 
Adventure on White Island.
As far as the present-day knowledge goes (says the Marlborough Express), the first human being to stay overnight on White Island, the scene of the recent eruption was the late Mr William Collie, who resided in Blenheim from 1857 to 1874, and whose memory has been perpetuated locally by the name of Collie's Hollow, the reclaimed depression in Market place.

In the late seventies Mr W. H. Macey, of Blenheim, was associated with Mr Collie in the conduct of a photographic studio at Napier. Mr Collie was an enterprising camera enthusiast, and in 1876 he decided that in this capacity he would thoroughly explore White Island. Forming the intention of remaining there for a fortnight or so, he approached a shipping company, but was point-blank refused a passage.

His idea was laughed at, and he was assured that he could never hope to escape from the dreaded region with his life. Mr Collie was not daunted, and finally induced the owners of a vessel trading between Napier and Auckland to land him and a boy on the island and call there again on the return journey from the north.

For this favour he paid £30. The captain and crew took their leave of Mr Collie and his companion with  but a faint hope of ever seeing them again. Coming down from Auckland the vessel made a detour, and the two adventurers were hailed, but in vain. There was no sign of them. Another visit was made on her return voyage to Auckland, and on that occasion Mr Collie and the boy were picked up. They were on the opposite side of the island when the vessel called previously.

Mr Macey remembers that when Mr Collie was taken off the island, after a stay of about three weeks, his clothes were falling from him in rags, so impregnated had they became with sulphur. The stock of provisions that the daring photographer set out with had been exhausted, and Mr Collie and his young companion had been subsisting for some days on mutton birds. They related that the ground was treacherous, giving way under pressure at places, and they had to exercise much caution in walking about. It was uncomfortably hot, too, and during the hours of sleep they were compelled to turn continually from side to side to avoid roasting." Swarms of rats gave them a good deal of trouble.

The enterprising photographer secured a large number of unique views, and some of the negatives are now in Mr Macey's possession. When he returned to Napier he was able to give the owner of White Island a fund of information as to his property which up to that time was practically terra incognita. Mr Collie was then about 60 years of age.

In the previous year Mr Collie achieved the feat of passing a night in the Ruapeha crater, which he also found to be a hot place. He made an attempt to reach this place on a previous occasion, but was warned off by the Maoris. On the day following his occupation of the crater, he received word that the Maoris had expressed their intention of making him pay the death penalty for his trespass, and he lost no time in vacating the dangerous territory, leaving his camera on his camping ground. It was discovered there some years afterwards by Mr Green, the well-known English mountaineer.

Otago Daily Times, Issue 16196, 5 October 1914, Page 2



A Prominent Townsman
Mr W. H. Macey Giving up Business

With his retirement from active, business life later on in the present month, Mr W. H. Macey will terminate a lengthy chapter of his creditable record as a citizen of Blenheim. It is fifty years ago that he commenced work with the late Mr William Collie, stationer and photographer, in premises on the site of Mr Macey's studio in Market Street North, and with the exception of an interval of some two years, that spot has been the scene of his daily pursuits ever since. Many a photographic negative has Mr Macey produced during the half century; indeed, it is estimated that the weight of the valuable collection he has in store is well over one ton.

In 1864 the oft-quoted Collie's Hollow — a depression that in flood time contained a depth or seven or eight feet of water and which then could only be crossed by swimming — intersected the main thoroughfare, and flax and raupo grew on its banks. So disgusted was he with what he saw in the big flood in 1868 that our townsman, then in his teens, decided to seek fresh fields and pastures new and finally reached Melbourne. Complying with the wishes of Mr Collie however he returned to Blenheim, and assumed the management of that gentleman's business, which he acquired after a brief absence in Napier.

In civic affairs Mr Macey has been a prominent figure, and has earned the reputation that can be won only by a man of integrity and clean principle. Nine years a member of the Borough Council, he was Mayor in 1903 and 1904, and he has served the public interest as a member of the Wairau Hospital and Charitable Aid Board, the Education Board, the High School Board of Governors, the Wairau Harbor Board (of which he was chairman), and other local bodies for lengthy terms. He was a founder and president of the Blenheim Bowling Club. Last, but not least, he still occupies the position of chairman of the Liberal party in Marlborough.

Born at London on April 11th, 1850, and arriving at Wellington in 1857, Mr Macey is still a man with good health and of active habits. It will be pleasing to hosts of friends to learn that he intends to settle down in Blenheim when he has returned from a trip that he contemplates taking to the North Island and probably Australia. Mr Macey is closing his business innings, so to speak, but is not retiring from the field.

Marlborough Express, Volume XLVIII, Issue 82, 7 April 1914, Page 3



Obituary
Mr. Frederick E. Lys


The death occurred at Wellington on Saturday of Mr. Frederick Ernest Lys, who, for a number of years before his retirement, managed several hotels. Mr. Lys, who was in his 81st year, arrived in Wellington from London on the sailing boat Hudson in February, 1875, and commenced his career in the printing and stationery business at Napier. 

Later he spent many years handling sheep in outback country districts. In the early '80's he spent an adventurous three weeks with a photographer on White Island, the Bay of Plenty volcano, and then visited Ruapehu and Ngauruhoe with the object of taking photographs. This they found quite as exciting as their White Island venture, as the Maoris opposed them on account of tapu and threatened to kill them. However, they succeeded in getting some pictures which were worth while. Mr. Lys managed the New Commercial Hotel in Wellington for ten years before his retirement. He is survived by his wife.
Evening Post, Volume CXXXV, Issue 104, 4 May 1943, Page 3


External links:
    Hocken Library - Collie photographs
    Photo-Sleuth - William Collie of Blenheim  
    Marlborough Museum - Marlborough Historical Society Inc. Scenes of the Wairau Massacre, Collie's Photographic Album 1873
    Auckland City Libraries - Photographers' Database 
    New Zealand Memories - issue 80 October/November 2009  pages 23, 26, 27


      Wrigglesworth and Binns

       
      Wrigglesworth and Binns
       Bas-Relief Photography

      Bas-Relief, Photography. —
      Messrs Wrigglesworth and Binns, the well known Artists of this city [Christchurch] and Wellington, are introducing the recently patented bas-relief process, to the notice of the public, and announce elsewhere that samples of this unique work will be on exhibition at their studio, Colombo _ street, on Saturday. As bas-relief portraiture produces a perfect picture in relief, no doubt a large number of the public will avail themselves of the opportunity of examining the new process. It may be added that Messrs Wrigglesworth and Binns have purchased the patent rights for New Zealand (excepting the Wanganui district.)
      Press, Volume LIV, Issue 9729, 18 May 1897, page 4



       

      Press, Volume LIV, Issue 9730, 19 May 1897, page 1




      A New Era in Photography
      The Bas Relief
      Great progress has been made in all departments of photography since the days of the wet plate collodion process, and one is therefore not easily surprised at the developments which from time to time are made. But there is no doubt those who see the display made to-day in the vestibule of Messrs Wrigglesworth and Binn's studio of the newest type of photography, the bas relief, will be astonished not only at the artistic beauty, but the life-like appearance of the pictures.

      The process is one which was discovered by Mr Martin, of Wanganui, and of which Messrs Wrigglesworth and Binns hold he New Zealand rights, except for that town. At first sight the appearance of the pictures is somewhat startling from their remarkable life-like appearance. The form, instead of being as in the ordinary photograph merely — as it were — a reflection, is reproduced with all the natural curves and roundness of life. The face and form are filled out, giving to the whole a most startingly realistic appearance. This is done by the raising up of the bust or figure into relief, and the effect is most artistic and beautiful. For instance, in one of the pictures on exhibition the hair of the lady is so strikingly and naturally reproduced that it appears as though one could take hold of it. All the pictures are very finely done, and the process is not alone interesting from the point of view of close resemblance to life, but also as a novelty in photography.

      The pictures are framed in diamond shaped frames and covered with a glass, and include busts and half and full lengths. The exhibition is well worth a visit, and there can be no doubt that the new process will create quite a revolution in the style of the photograph of the future.
      Press, Volume LIV, Issue 9733, 22 May 1897, page 9




      Bas-Relief Photography
      The interest taken in the new process of photography, the patent-rights of which Messrs. Wrigglesworth & Binns have acquired for the whole of the colony except Wanganui, warrants a fuller description of the process than has been given. The merits of the examples of the work the public have had ample opportunity to observe. Messrs. Wrigglesworth & Binns' vestibule in Willis street, where the work is on view, has been daily and nightly crowded with the curious, and the opinion of the public has been in the highest degree commendatory. The likeness to life produced by an excellent photograph superimposed upon a moulded presentment of a person's features is indeed remarkable, and though the process is necessarily an expensive one, the work has caught the public fancy, and "bas-reliefs" are now being turned out by Messrs. Wrigglesworth & Binns as fast as possible.

      The process is decidedly an interesting one. An ordinary photograph is enlarged upon a special paper, several prints being taken at the time in order that the best may be chosen for the final picture. One of the prints is selected and pasted upon a block of wood, then the outline of the figure is traced on the wood, and the body of the photograph cut out with a fret-saw. After the edges of this frame of wood have been finished, to it is fitted another print, which has been mounted on a sheet of copper. The copper-plated photograph then shows through the hole which has been cut in the wooden frame, leaving the background covered. The prepared print is now placed in a press, which gives it its rough embossing. The remainder of the work is done by skilled hands. This consists in modelling the features, dress, and figure, with certain tools, the high lights being pressed out to their proper proportion with an infinite amount of care. When the work leaves the hands of the artist, it is mounted in the special frames required by the embossed character of the portraits. The beautiful results should be almost absolutely permanent.

      The specimens of "bas-reliefs" in the vestibule include two beautiful portraits of the Countess of Glasgow, in both of which the modelling of the figure and arm gives a most naturalistic effect. A large portrait of a well-known Wellington young lady also shows the detail which can be got by the process. Two large portraits of Lord Glasgow, one of Mrs, Stewart (Lady Glasgow's cousin), and one of Miss Wrigglesworth, are most artistic specimens of "bas-reliefs."

      Other portraits are those of the Premier, Sir Robert Stout, Captain Russell, [Sir William Russell], Hon. W. P. Reeves, the Minister for Railways [Sir Alfred Jerome Cadman], Mr. W. Haselden, S.M. [William Reeve Haselden], and Messrs. Wilson [Charles Wilson] and O'Regan [Patrick Joseph O'Regan], M.H.R.'s. The various portraits of ladies and children scattered about the vestibule are triumphs of the life-like.
      Evening Post, Volume LIII, Issue 124, 27 May 1897, page 6


       


      Bas-Relief Photography.

      Great interest is being taken in the new process of photography, the patent rights of which Messrs Wrigglesworth & Binns have acquired for the whole of the colony except Wanganui. Th merits of th examples of the work the public have had ample opportunity to observe. Messrs Wrigglesworth & Binns' vestibule in Willis street, Wellington, where the work is now on view, has been daily and nightly crowded with the curious, and the opinion of the public (says the Post) has been in the highest degree commendatory. The likeness of life produced by an excellent photograph superimposed upon a moulded presentment of a person's features is indeed remarkable, and though the process is necessarily an expensive one, the work has caught the public fancy, and "bas-reliefs" are now being turned out by Messrs Wrigglesworth & Binns as fast as possible.

      The process is decidedly an interesting one. An ordinary photograph is enlarged upon a special paper, several prints being taken at the time in order that the best may be chosen for the final picture. One of the prints is selected and pasted upon a block of wood, and the body of the photograph cut out with a fret-saw. After the edges of this frame of wood have been finished, to it is fitted another print, which has been mounted on a sheet of copper. The copperplated photograph then shows through the hole which has been cut in the wooden frame, leaving the back ground covered. The prepared print is now placed in a press, which gives it its rough embossing. The remainder of the work is done by skilled hands. This consists of modelling the features, dress, and figure, with certain tools, the high lights being pressed out to their proper proportion with an infinite amount of care.

      When the work leaves the hands of the artist, it is mounted in the special frames required by the embossed character of the portraits. The beautiful results should be almost absolutely permanent.
      Feilding Star, Volume 31, Issue 278, 31 May 1897, page 2




       

      Feilding Star, Volume XVIII, Issue 284, 7 June 1897, page 3
      this notice continued in the Feilding Star until 25 May 1898



      Revolution in Photography.
      It was almost coincident with the commencement of the Record Reign now being celebrated throughout the Empire that photography acquired for itself distinct recognition. From time to time during the course of the reign great strides have been made in photography until, in its highest development, it has now a firmly assured place as one of the branches of art; but it is questionable if there has been any more startling advance at any time than that represented in the bas-relief process, the credit of which belongs entirely to New Zealand.

      The process was discovered and patented by Mr W. Martin, of Wanganui, who has, however, parted with his rights for the whole of the colony, excepting his own town, to Messrs Wrigglesworth and Binns, of Wellington, Christchurch, and Dunedin. Mr Binns, of the latter firm, is at present in Dunedin for the purpose of introducing the bas-relief photography to this city, and a preliminary inspection of the specimens which be proposes to display to public view at the studio in the Octagon warrants one in predicting that they will create something like a sensation.

      The first notion that will occur to an average individual on seeing a bas-relief portrait will probably be that an exceedingly clever illusion is being practised by the operator. That would be a mistaken notion but even if it were not, it would be impossible for the person holding it to refrain from admitting that a remarkable and life-like effect had been secured. As a matter of fact, the process whereby bas-relief photography is produced - process which it is unnecessary to describe further than to say that it consists in superimposing a portrait upon a moulded presentiment of the subject's features - is one that is of unusual delicacy and that requires the exercise of considerable skill on the part of the operators. Bas-relief in photography correspond to cameos in stone, the face and form of the person photographed being filled out so as to give a realistic appearance such as has not been attainable by any other process. Some remarkable effects are visible in the specimens which will be on exhibition next week. The folds of clothing, the tiny wrinkles even in a baby's sock, stand out from a picture in a way that almost cause one to rub one's eyes and wonder how such things can be, while a pearl necklace is represented so faithfully that one can see the gems actually studded upon the wearer's neck.

      The modelling of the subjects' features is in each of the examples Mr Binns has with him worthy of high praise, even to the representation of the hair, which is in some cases singularly natural. It is, of course, by seeing the portraits of persons with whom one is well acquainted that one is able to judge of the merits of the process, and Messrs. Wrigglesworth and Binns have applied the new system to some old negatives of well-known public persons with results that speak for themselves. Portraits of the Hon. W. J. M. Larnach, Messrs H. S Fish [Henry Smith Fish], E. G. Wright [Edward George Wright], and  J. C. Wason [John Cathcart Wason], M.H.R.'s, Mr James Mills [
      Managing Director Union Steam Ship Company], and some ladies well known in Dunedin society have been so treated, and an inspection of these will almost certainly convince visitors to the studio that the process is one that has "come to stay."
      Otago Witness, Issue 2261, 1 July 1897, page 12






       

      HARPER, Amy



      Amy Merania Harper 
      1930 - Rubens Studios, Winstone's Buildings, 77 Queen Street, Auckland. 

       Amy Merania Harper born 23 May 1900 Paeroa, the eldest child of Ada Agnes Nalder and her husband, William Septimus Harper, an engineer. 
       died 15 September 1998 Glenfield, Auckland, aged 98. 








      CARTER, Norah



      Norah Carter



       born 15 April 1881, reg. 1881/3414, 
      youngest daughter of Anna Margaret Begg and Richard Carter (Secretary and Inspector of Customs), niece of Sam Begg, artist for the London Illustrated News.
      died 8 February 1966 (1) Sydney, Australia, reg.  698/1966 aged 84 years



      Christchurch, Wardell's Building, Cashel Street - 1907
      Gisborne, McKee's Buildings, Gladstone Road - July 1910 to March 1919

      succeeded in Gisborne by Hubert Charles Northwood in 1919

      In the South Kensington Science and Art Examinations of 1901, Nora Carter of the Wellington Technical School received first class passes in "freehand drawing of ornament" and drawing of "light and shade"
      Evening Post, Volume LXI, Issue 35, 12 February 1901, page 4

      In the art examinations in 1903 Norah Carter of Wellington received passes in "model" second class and "geometrical drawing" first class.
      Evening Post, Volume LXV, Issue 77, 1 April 1903, page 6



      Wardell's Building, Cashel Street, Christchurch
      1907 and 1908

       

      Press, Volume LXIII, Issue 12938, 18 October 1907, Page 1
      advertised in The Press until 10 January 1908 

      As will be seen by a notification elsewhere, Miss Norah Carter, who has been studying in Melbourne for some time has opened a studio for miniature painting and photography in Wardell's Buildings [Christchurch].
      Press, Volume LXIII, Issue 12938, 18 October 1907, page 9.

      above - Wardell's Building, Cashel Street, Christchurch
      from postcard by Fergusson and Taylor & Co.



       McKee's Buildings, Gladstone Road, Gisborne
      July 1910 to March 1919


      Miss Norah Carter, of Kelburne, is leaving shortly for Gisborne, where she intends to open a studio.
      Dominion, Volume 3, Issue 847, 20 June 1910, page 3


       Poverty Bay Herald, Volume XXXVII, Issue 12194, 9 July 1910


       
       Young girl standing, circa 1910-1923, Gisborne, 
      by Norah Carter. 
      Purchased 2013. Te Papa (O.040811)
      Museum of New Zealand Te Papa Tongarewa


       Young girl smiling, circa 1910-1923, Gisborne, 
      by Norah Carter. 
      Purchased 2013. Te Papa (O.040812)
      Museum of New Zealand Te Papa Tongarewa


       Poverty Bay Herald, Volume XLIII, Issue 14175, 18 December 1916


      Poverty Bay Herald, Volume XLIV, Issue 14224, 16 February 1917, page 1



       Poverty Bay Herald, Volume XLV, Issue 14549, 9 March 1918, page 1



      Poverty Bay Herald, Volume XLV, Issue 14671, 3 August 1918



      Poverty Bay Herald, Volume XLVI, Issue 14856, 8 March 1919


       above - an unidentified woman photographed by Norah Carter, Gisborne.

        William Henry Pevreal, Private, Wellington Infantry Regiment - B company, number 51188, born 31 March 1877, died 5 May 1962. 




      Family 
      Mr Richard Carter's rather sudden death on Saturday evening has been a great blow to his many friends. Very great sympathy is felt for his widow, who is a sister of Mr Sam Begg, the famous black and white artist, and for his children, several of whom are serving their country.

      It is only a few weeks since news arrived that Sergt.  Rothwell Carter, the third son, had been killed in France. This son saw service in the Boer War. Two other sons are serving in France, and the eldest Mr. Francis Carter, a mining engineer, is married and lives on the West Coast. The eldest daughter, Miss Kathleen Carter, was trained as a nurse in the Wellington Hospital, and went away long ago on one of the New Zealand hospital ships. She is now nursing at Brocklehurst. The second daughter, Miss Shiela Carter is with her mother at Kelburn, and the third,  Miss Nora Carter, who inherited some of the talent which has made her uncle famous, is a successful photographer in  Gisborne, and has come down this week to be with her people.
      Free Lance, Volume XVII, Issue 896, 14 September 1917, page 17




      Obituary
      Mr. Richard Carter. 
      Mr. Richard Carter, of Kelburn Parade, formerly Secretary and Inspector of Customs, died on Saturday evening, much to the regret of a large circle of friends by whom he was held in the very highest esteem. The deceased, who was seventy-two years of age, suffered from a weak heart, but was about as usual on Saturday. In the afternoon he was out walking with Mrs. Carter. After tea he went into the sitting-room, and shortly afterwards his wife found him there in an unconscious condition. An hour later he died.

      The late Mr. Carter was a native of London, and when nineteen years of age left England [in 1864] for Lyttelton in the sailing ship Countess of Seafield. [see Press, Volume IV, Issue 510, 17 June 1864] At one stage of the voyage fearfully rough weather was experienced, and all the officers and crew, with the exception of the captain and a seaman, the latter of whom was laid up with an injured hand, were washed overboard and drowned. A number of the passengers, including Mr. Carter, assisted the captain and the seaman to navigate the ship to Hobart.  The work was most arduous, and all on board were devoutly thankful when the voyage was completed.

      Mr. Carter, on landing at Hobart, proceeded to Christchurch. In 1865 he entered the Customs Department at Hokitika, and was stationed there and at Greymouth during the next four years. He was then transferred to Napier, where he remained for twenty years.

      In 1892 he was appointed landing surveyor at Dunedin, and three years later he came to Wellington in a similar capacity. Subsequently he held the position of Collector at Nelson, Christchurch, and Wellington. In 1909 he succeeded Mr. W. T. Glasgow as Secretary and Inspector of Customs, and in the following year he retired on superannuation.

      The deceased, who was held in the greatest esteem, has left a widow, three sons, and three daughters. His third son, Sergeant Richard R. Carter, who was a member of the African Forces, was through the German West African campaign, and at its conclusion went to Egypt, and from thence to France, where he was killed in action on April 12 last.

      The other sons are Sergeant W. W. Carter, of the Engineers, who left with the Main Body. Sapper Carlile Carter (Engineers, 9th Reinforcements), and Mr. Francis Carter who is in charge of a gold dredge working near Hokitika. The eldest daughter is a sister in Brockenhurst Military Hospital, England; another daughter has a photographic studio in Gisborne, and the other is living with her mother.

      The late Mr. Carter was an old member of the Wellington Bowling Club, and, as a mark of respect the flag over the clubhouse was flown at half-mast yesterday.

      Dominion, Volume 10, Issue 3187, 11 September 1917, page 4



      Richard Carter died 8 September 1917 at his residence, 44 Kelburn Parade, Wellington aged 72 years.

      Children of Anna Margaret Begg and Richard Carter.

      1. Francis Napier Carter of Hilltop near Sydney, farmer, born 17 July 1875 Napier, birth reg. 1875/11475, died 10 May 1942 at Bowral, NSW.   
       

      2. Warrand Wilson Carter, clerk, House of Representatives, born 6 July 1876 Napier, birth reg. 1876/16408, died 5 January 1934 London.       


      3. Richard Rothwell Carter, born 5 September 1877 Napier, birth reg. 1877/17226, killed 12 April 1917 France, South African Infantry, 4th Reg. aged 39 years, served in the Boer War and the First World War.     

      4. Kathleen Carter, Sister, New Zealand Army Nursing Service, World War One,  sailed in the New Zealand Hospital Ship "Maheno" 10 July 1915 for Egypt and then transferred to Brockenhurst, England, born 30 October 1878, birth reg. 1878/16753, died 6 May 1935 Wellington. 

      5. Sheila Mary Carter, born 25 January 1880, birth reg. 1880/2320, died 6 September 1969 (2), Sydney, Australia reg. 5772/1969. 

      6. Norah Carter born 15 April 1881, birth reg. 1881/3414 , died 8 February 1966 (1), Sydney, Australia, reg. 698/1966.

      7. Carlile Carter of Lower Hutt, gentleman, born 23 September 1882, birth reg. 1882/18244, died 16 December1975, reg. 1975/48497, married 23 December 1915 at St John's Church, Wellington to Louise Elder, reg. 1915/5158. 


      Obituary
      Miss Kathleen Carter
      Very many friends will have heard with grief of the death of Miss Kathleen Carter at her home at Seatoun. Miss Carter has been a member of the Wellington Plunket nursing staff since 1927. She was trained at the Wellington Hospital and the Alexandra Home, was on active service in Egypt and England from 1915 to 1919. Her death makes a gap in the ranks of returned army sisters.

      Miss Carter was regarded with deep respect and affection by her committee, her colleagues, and co-workers. Keenly sensitive to social injustice or wrong of any kind Miss Carter's sympathies were always with the oppressed or distressed, and many will have reason to remember her practical kindnesses and help. Retiring and reserved, few knew the extent of her work, but it will live long in the memory of the mothers she worked among and the committee and nurses who were her fellow workers.
      Evening Post, Volume CXIX, Issue 108, 9 May 1935, page 19


      (1) State Archives NSW, Probate Packets, Norah Carter - Date of Death 08/02/1966, Granted on 13/04/1966, item number Series 4-609365
      (2State Archives NSW, Probate Packets, Sheila Mary Carter - Date of Death 06/09/1969, Granted on 22/06/1970, Item number Series 4-691117


      NORTHWOOD, Hubert Charles


      Hubert Charles Northwood

      Hubert Charles Northwood, born 11 August 1882, Omata, reg.  1882/10288, son of Mary Jane Harrison and Richard Arthur Northwood, died suddenly 30 May 1940 at this residence 9 Corbett Scott Avenue, Auckland aged 59 years, reg. 1940/27979, married 27 May 1914, Kohukohu, reg. 1914/8511, Tryphina Maud Boreham (Maud), born 1889, reg. 1889/11351, daughter of Beatrice Eva Foster and Alfred Arthur Boreham, died 15 June 1938 at a private hospital, Auckland aged 49 years, reg. 1938/16289 

      issue:
      1. Eva Mary Northwood born 15 May 1915, reg. 1915/18315, died 14 May 1996, Auckland, married 1942 Redvers Clifford Ray, born 20 January 1914, died 8 October 1977, Auckland (1)



      Richard Arthur Northwood died 1926, reg. 1926/2013 aged 72 years
      Mary Jane Northwood nee Harrison  second daughter of Thomas Harrison of Omata,  died 1941, reg. 1941/20847 aged 82 years
      married 16 June 1880, reg 1880/1482 at the Omata Church by the Rev. H. H. Brown


      Gisborne


      succeeded Norah Carter in Gisborne March 1919


      Poverty Bay Herald, Volume XLVI, Issue 14856, 8 March 1919



      Belwood Studios
       Winstone's Buildings, Queen Street, Auckland
      Hubert Charles Northwood and Arthur Joseph Bell 
      from about 1 July 1922 to 20 September 1922

       

      Auckland Star, Volume LIII, Issue 154, 1 July 1922





      New Zealand Herald, Volume LIX, Issue 18203, 23 September 1922

       

      Belwood Studios
       Winstone's Buildings, Queen Street, Auckland 
      Hubert Charles Northwood and Walter Clegg

       




      New Zealand Herald, Volume LXV, Issue 19932, 28 April 1928, Supplement, page 10


       Auckland's latest modern edifice, The Lewis Eady Building, 190-192 Queen Street, Auckland
       New Zealand Herald, Volume LXV, Issue 19932, 28 April 1928, Supplement, page 10



      MAORI WAR RECALLED
      EARLY TARANAKI RESIDENT DEATH AT 81 YEARS
      A descendant of Taranaki pioneers, Mrs. R. A. Northwood, of Kaitaia, has died at the age of 81. She was the second daughter of Mr. and Mrs. Thomas Harrison, pioneers of Omata, Taranaki, who landed at New Plymouth in 1841 and 1842 respectively. With her parents, Mrs. Northwood passed through the vicissitudes of the Maori War days and she had vivid recollections of family and personal experiences of those times. Except for occasional visits south Mrs. Northwood had lived continuously in the Mangonui county for the past 45 years. Her husband died 15 years ago. She is survived by two sons. There are five grandchildren.
      New Zealand Herald, Volume LXXVIII, Issue 23934, 7 April 1941
       
      died 1 April 1941 at Kaitaia





      Kaikoura


      Kaikoura
      by unknown photographers


      The Caves, Kaikoura Blenheim Coach Road, N.Z.
      Gold Medal Service, Ferguson Limited
      No. K. 2.

       
      North Road, Kaikoura Blenheim Road, N.Z.
      Gold Medal Service, Ferguson Limited
      No. K. 6.

      A Pretty Bend on the Kaikoura South Road, N.Z.
      Gold Medal Service, Ferguson Limited
      M & M
      No. K. 9.

      North Road, Kaikoura Blenheim Road, N.Z.
      Gold Medal Service, Ferguson Limited
      No. K. 10.

      Kaikoura Cheviot Road (South), N.Z.
      Gold Medal Service, Ferguson Limited
      No. K. 11.

       Kaikoura Town. N.Z.
      Gold Medal Service, Ferguson Limited
      No. K. 12.
       
      West End Kaikoura, N.Z.
      Gold Medal Service, Ferguson Limited
      No. K. 13.

       
      South Road, Kaikoura, N.Z.
      Gold Medal Service, Ferguson Limited
      No. K. 17.

      Hundalee, Kaikoura, N.Z
      Gold Medal Service, Ferguson Limited
      No. K. 23.

      Hundalee between Cheviot and Kaikoura Coast Road, N.Z.
      Gold Medal Service, Ferguson Limited
      No. K. 24.



      Price, O'Malley & Co.



       Price, O'Malley & Co.
       Lambton Quay, Wellington





      One of the prettiest novelties in photography which we have seen for a long time has just been introduced by Messrs. Price & O'Malley, of Lambton-quay. A portrait of a little girl just completed by them represents her sitting on the bank of a brook with her feet paddling in the water. The feet are seen actually through the water, and the shadow in the water is admirable. How the effect is produced we do not know, but the result is very beautiful.
      Evening Post, Volume XXXIX, Issue 50, 1 March 1890, Page 2

      Tho portraits of the Mayor and City Councillors were recently taken by Messrs. Price, O'Malley & Co., photographic artists. These have been ranged in the form of a shield, which has been handsomely framed and presented to the civic authorities by Messrs. Price, O'Malley & Co. The photographs were taken by the their new process, and in each case the likeness is excellent. The finish is first-class, and the artistes deserve credit for the manner in which they have executed the work. The Council resolved last evening to send a letter of thanks to the donors, and accede to a request of the firm that the shield should be exhibited in the vestibule of their studio for a few days.
      Evening Post, Volume XXXIX, Issue 78, 3 April 1890, Page 2