Multum Pro Parvo Co.




Multum Pro Parvo Co.
1902 - 1903



To Vaughan from Dave with love.
Dear old Dave




 Catherine Louisa Peart



  Henry Heatherington Peart



 Alfred Cuthbert Peart "Cuthbert"
killed in France during World War One, 1916.


Frederick Waldeman Peart 



Cuthbert, Catherine
Fred, Harry and Florence Peart


Alfred Cuthbert Peart   1890/3005   
Catherine Louisa Peart    1891/10366 
 Frederick Waldeman Peart  1893/458     
 Henry Heatherington Peart  1896/17049     
Florence Selina Peart 1898/5235   



Frisco Photographic Company






A. E. Brookes, Manager
(also see Frisco Studio) 







"Frisco" Photographic Company, A. E. Brookes, Manager.

Art Studio






reverse inscription
"Mrs Burgess 
Related to Grandmother 
Grove"













Art Studio, Burgess, Opposite Te Aro House, Cuba Street, Wellington.

COBB, Harriet Sophia



Harriet Sophia Cobb
Mrs Cobb

 
born circa 10 February 1846 Winfarthing, Norfolk, England [2], daughter of Robert Day (photographer) and his wife Emily Page, arrived Wellington, New Zealand from England on the "Lady Jocelyn" 1 January 1884, aged 37 years, died 18 December 1929 at the residence of her daughter, Mrs R. W. Ashcroft, Church Street, Otahuhu, Auckland, [3] aged 83 years, reg. no 1929/10473, buried Otahuhu Cemetery, married 24 December 1866, Holdenhurst, Hampshire, England, Joseph Edward Cobb, born 13 March 1839 Wimborne, Dorsetshire [2] son of John Cobb [1], arrived Wellington, New Zealand from England on the "Lady Jocelyn" 1 January 1884, died 17 March 1911 at his residence in Emerson Street, Napier.

also see:
The Cobb Family of Napier 
Robert Day (1822-1873)


 Christchurch, 
Hampshire, England  now Dorsetshire



 

portrait of an unknown woman by Joseph Edward Cobb, Portrait and Landscape Photographer, Christchurch, Hampshire now Dorsetshire.



portrait of an unknown woman by Joseph Edward Cobb, Portrait and Landscape Photographer, Christchurch, Hampshire now Dorsetshire.





Napier and Hastings
New Zealand



Hawke's Bay Herald, Volume XXI, Issue 6911, 15 July 1884, Page 3
[Ahuriri or Port Ahuriri was an earlier name for Napier]



 Hawke's Bay Herald, Volume XXII, Issue 7293, 15 October 1885, Page 1
 


Daily Telegraph, Issue 4436, 16 October 1885, Page 3


The other day, being in Mrs Cobb's studio, I saw the photographs which had been exhibited at the Wellington Exhibition, and which at the request of the commissioner were about to be sent to the Colonial Exhibition in London. They consisted chiefly of female faces. Among the latter the best were Sympathy," "Happy thoughts," and "The gypsy queen." There were also some well-arranged groups. The original photographs are now on their way to London, but duplicates will be on view in a few days, and will be worth a visit.
Hawke's Bay Herald, Volume XXII, Issue 7335, 3 December 1885, Page 4



Daily Telegraph, Issue 4602, 6 May 1886, Page 3



Daily Telegraph, Issue 4605, 10 May 1886, Page 3

 
A meeting of creditors in the bankrupt estate of Joseph Edward Cobb, of Hastings, photographer was held at the Court-house this morning. There were thirty-eight creditors, representing £210 16s 11 ½, while the assets totalled £26, stock-in-trade valued at £10, and the book debts were put down at £21 18s 8d, estimated to produce £16, leaving a deficiency of £214 16s 11 ½d.

Mr Dick appeared for the debtor. The following resolution was passed that the creditors relinquish all claims on the appliances of the photographic business in favor of Mrs Cobb." The meeting adjourned sine die.

Daily Telegraph, Issue 4938, 13 June 1887, Page 2

 
Daily Telegraph, Issue 5496, 8 April 1889, Page 3




New Zealand and South Seas Exhibition, Dunedin 1889-90
CLASS XIX - PHOTOGRAPHS - Subdivision 2. - Portraits.
Mrs Cobb, Napier, special first-class award for life studies.


Daily Telegraph, Issue 6972, 27 January 1894, Page 2



 Manawatu Standard, Volume XLI, Issue 9468, 17 March 1911, Page 1
(Joseph Edward Cobb)

 







"Isabelle Sidey"
by Mrs Cobb, Napier and Hastings
 probably Isabella Sidey of Rissington, Hawkes Bay 
died 28 April 1925 "Glenovis", Hawarden, Canterbury.

[purchased March 2023]




[1] "England Marriages, 1538–1973 ," index, FamilySearch (https://familysearch.org/pal:/MM9.1.1/NKS9-7VB : accessed 12 Feb 2014), Joseph Edward Cobb and Harriett Sophia Day, 24 Dec 1866.
[2] "England and Wales Census, 1871," index and images, FamilySearch (https://familysearch.org/pal:/MM9.1.1/VFXN-RG5 : accessed 12 Feb 2014), Joseph Edward Cobb, 1871.
[3] Auckland Star, Volume LX, Issue 300, 19 December 1929



SIERS, Jim


Jim Siers
Zybigniew Sierpinski
born 1936 Luck, Poland
died 17 December 2013 Fiji



Death of a Friend
by Lindsay Shelton
First published on wellington.scoop.co.nz 
January 10, 2014

A pioneering Wellington photographer and writer has died in Fiji. Jim Siers was responsible for thirty books, almost all of them published by Millwood Press which he ran with his wife Judy. As well as his books, he leaves a legacy of thousands of colour images from 30 years travel in the South Pacific.

He was known as Junior when I met him. We were cadet reporters, teenagers starting our working lives on the Dominion newspaper. The women we were to marry both worked in advertising. They were friends before they met us. Then there were children. Jim and Judy had three. Vivien and I had two. The children played together. I have memories of sunny gardens, parents watching while the kids played.

Jim moved from newspapers to advertising and then to television and, later, life as a free-lancer. He bought his first camera in Fiji in 1962. As the sixties continued, he made the decision to focus on writing books, illustrated with his own photographs.

His first two books were published by A H and A W Reed – Polynesia in Colour in 1968 and then Fiji in Colour in 1969, with a second expanded edition two years later.

Soon after, Jim and Judy established their own publishing company, Millwood Press, which at first they ran from their home in Ngaio. One of its first books was Jim’s Hawaii and Polynesia, published in 1973. The same year, he flew to New York in search of an American publishing deal. It seemed an amazingly bold thing to do. He succeeded, and an American edition was published by Doubleday. And separately, his Hawaii was published by Harper and Row.


Jim Siers with his wife Judy and younger daughter Nina in 1984

When Millwood published Jim’s New Zealand (co-written with Keith Aberdein) in the same busy year, it was his eighth photographic book and his first entirely about this country. Two years later, The New Zealanders (in which Jim’s photos were accompanied by essays by Jim Henderson, John Rangihau, Dave Simmons and Roger Green) marked a new level of sophistication for New Zealand publishing, with design and typography and colour reproduction using the newest technology.

His New Zealand Dramatic Landscape was published in 1979 and reprinted in 1981 and 1983. He followed it with New Zealand Incredible Landscape. Both books won Tourism Design Awards.

Jim’s Taratai A Pacific Adventure in 1977 described his incredible 1500-mile voyage from the Gilbert Islands to Fiji in a 76ft canoe, which re-established an ancient sea link between the two island groups. He lived in the Gilberts for five months while the canoe was built. Then he planned a second voyage from Fiji in a smaller canoe. The Taratai 11 voyage ended in near disaster when the canoe was wrecked by a big wave, and the seven occupants, including Jim and his 10-year-old son Conrad, drifted for two weeks in an inflatable life-raft before they were rescued by a Chilean vessel. He described this adventure in a second Taratai book.

Introducing The New Zealanders, Jim had written:

It seems ironic that my Polish ancestry is now less annoying to New Zealanders than the fresh accent of a newly arrived Englishman. The word ‘foreigner’ no longer carried with it the abrasive slur it did when I first when to school here.

When we were young journalists together, he never talked about his origins or about the horrors of his early life, though we all knew that his real name was Zybigniew Sierpinski and that he’d been born in Poland. At the start of World War 11, when he was 4, he and his family had been forcibly deported by the Soviets, with thousands of other Poles, to labour camps in Siberia. The Polish prisoners were freed when Nazi Germany attacked Russia, and the family (without his mother, who had died in the labour camp) trekked to southern Russia and eventually found refuge in Persia. In 1944 Jim and his brother were among 744 Polish orphans brought to New Zealand as refugees. Their father found them in 1946 and arranged for their schooling at St Pat’s in Silverstream.

Towards the end of his father’s life, Jim acknowledged his father’s prowess as a fishing guide by co-writing a book with him about trout fishing in Taupo. His father was proud of the book, and proud of his son’s achievements. As well as his 30 books, Jim had also recorded indigenous music and made documentary films, including Vikings of the Sunrise about his canoe voyages.

By 1990, Jim had decided to live in Fiji. He left without any fanfare, and most of us took some time to realise he was no longer in Wellington. When I met him for the last time at a reunion of television staff a few years ago, he spoke about his love of Fiji – its climate, its people, its cultural diversity, and its myriad of islands. At the reunion he was showing the first signs of the Parkinsons disease that was to lead to his death last month.

Jim is survived by his New Zealand family, his wife Judy and children Conrad, Sophie and Nina; his son Baraniko from Kiribati, his Fijian children, Melika, Allanah and Kazimiercz; and five grandchildren.

The books of Jim Siers

Polynesia In Colour – first edition
Polynesia In Colour – second edition
Hawaii and Polynesia In Colour
Fiji in Colour – first edition
Fiji in Colour – second edition
Samoa in Colour
Hawaii in Colour
Polynesia and Hawaii in Colour
Tahiti in Colour (also a French language edition)
Moorea
Papua New Guinea
Taratai a Pacific Adventure
Taratai a continuing adventure
Tonga
Blue Lagoon Cruises
The New Zealanders
New Zealand
Wellington – first edition
Wellington – second edition
Hauraki Gulf
Waikato
Nelson
New Zealand Dramatic Landscape
New Zealand Incredible Landscape
Auckland
Above Auckland
Above Wellington

Two Fiji books published in Fiji.

Taupo Fishing Guide, co-authored with his father.



Walton and Schott


Walton and Schott
William Arthur Walton and Albert Bernard Schott 
George Street, Dunedin





 above - the studio motto "Pro Bonis Ad Meliora" can be translated as  "From Good to Better"

above - in 1878 the studio of Walton and Schott was located in George Street next to the Rainbow Hotel. The  hotel was situated at the south-west corner of the intersection of George and St Andrews Streets [1].  The Rainbow Hotel can be seen at the lower right of this woodblock engraving dated 1875 [2]. The adjacent buildings have been highlighted. In the fire of 1878 eight buildings were raised to the ground.


above - detail of George Street showing the Rainbow Hotel at intersection with St Andrews Street, and adjacent buildings.



reverse inscription "To Hattie from Liddy and George".
"Hattie" is usually the diminutive of Harriet and "Liddy" the diminutive of Lydia.
 



above cdv courtesy of The Laurence Eagle Collection
 

 


The inquest yesterday on the recent fire in George street, resulted in an open verdict. The evidence simply went to show that the fire originated inside Messrs Walton and Schott's photographic gallery, but there was nothing to indicate the cause of the fire. A rider was added by the jury, advising that two men should be constantly kept on duty at the Fire Brigade station.
Otago Daily Times, Issue 5244, 7 December 1878, Page 2

 
The Late Fire
An inquest into the origin of the late fire in George street was held before Dr Hocken (the City Coroner) and a Jury of twelve, of whom Wm. Wilson was chosen foreman, at the Royal George Hotel yesterday afternoon.

The Jury having viewed the scene of the fire, the following evidence was taken:— Wm. Baskett, a builder, residing in Cargill street, deposed that on Friday, the 29th ult., at about 4.45 a.m., he saw, from his bedroom window, fire coming from the back of a shop next to the Rainbow Hotel in George street. The fire was breaking through the roof of the shop; it was not in the yard. There was very little smoke, but a great deal of flame. He did not see anything that would throw any light on the origin of the fire.

James Murphy, bootmaker, gave evidence that he lived at the time of the fire in one of the houses burnt down. On Friday, the 29th November, he was aroused by his wife, who told him there was a noise next door. He thought it was a bricklayer working, and took no further notice of it for six or seven minutes, and then some one knocked at the door and gave the alarm of fire. When he looked out he saw that the fire was in Walton and Schott's photographic gallery. The flames were coming through the roof and sides of the building. On the previous afternoon there was a small fire in the yard, which he ordered the boy to put out, but he heard afterwards that the fire was not put out. In the evening he was in the yard, and he believed the fire was then out, as he did not think it could have burned for so long a time. He had been told that the fire was seen burning at 4 o'clock in the morning. He believed the fire broke out in the gallery.

Albert Bernard Schott, of the firm of Walton and Schott, deposed that he knew nothing of the fire. On Thursday he left the shop at 8.40 p.m., and was the last in. No fire was lit in the stove or fireplace for nearly two months preceding the fire, a spirit-lamp was generally used. There was nothing in the building that would explode. The stock-in-trade was insured for L 250 one policy having lapsed for about a month before the fire occurred. Witness had lost largely by the fire—nothing had been saved from it. He could give no clue to the origin of the fire.

Francis Grigg (a boy 11 years of age) deposed that he had been employed by Walton and Schott for about eight months. On Thursday week witness lit a fire in the yard at the back of the photographic gallery. The fire was used to heat water to make paste with. Witness, after he had made the paste, extinguished the fire with a saucepan full of water. This was done before 10 o'clock on Thursday morning. He was in the yard two or three times afterwards, and saw that the fire was out.

Nellie Murphy (a girl 10 years of age) gave evidence that on the afternoon before the fire she put out the fire that had been made by Schott's boy by putting a bucket of water on it.

William Arthur Walton, a photographer, recently carrying on business in George street, gave evidence similar to that given by Mr Schott. The stock had been insured for L300 in the United Insurance Company, but L50 of that policy, and another policy for L100, had been allowed to lapse. Witness had thought of not renewing any of the policies because the captain of the five brigade had come to live next door, but the agent of the United Company had persuaded him to reinsure for L250. He knew nothing of the origin of the fire.

The Coroner remarked that a large number of witnesses were in attendance, but as they could only say that they had seen the premises burning, he did not think it would be worth while to occupy the time of the jury by examining them. Mr Carroll, one of the Jury, said that he agreed with the Coroner, that an open verdict must be returned on the evidence; but suggested that a rider should be added calling attention to the danger of the practice of lighting open fires in yards. He also thought the time had arrived when there should be two men constantly on duty at the Fire Brigade Station, with a horse harnessed ready for use.

The Coroner considered the suggestions very valuable, and said that no doubt the Press would take notice of them.

The following was the verdict of the Jury:- "That the said fire in George Street originated on Messrs Walton and Schott's premises on the 29th of November, but how or by what means such fire was caused there is no evidence to show." The rider added was as follows:— "The Jury also are further of opinion that two Fire Brigade men should be always on duty at the Fire Brigade Station, and that there should also be there a horse ready harnessed." The Jury were then thanked and discharged.

Otago Daily Times, Issue 5244, 7 December 1878, Page 5





Southland Times, Issue 3287, 1 January 1879, Page 2
(this notice first appeared in the Southland Times about 31 December 1878 and continued for four months until 30 April 1879)



 Otago Daily Times, Issue 6817, 20 December 1883, Page 1
Cazneau and Connolly


Photography.- Retouching taught. Terms apply A. B. Schott, care of Charlmont and Co. Royal Arcade. (Charlemont?)
The Sydney Morning Herald, 5 May 1888, page 3


On Thursday evening a meeting was held at the corner of Oxford and Bourke streets, its object being to form a Professional Photographic Society. There were a large number of photographers present. Mr. A. B. Schott was unanimously elected chairman. After transacting all preliminary business Mr. E. T. Irving was elected secretary of the proposed society. The primary business being disposed of the meeting dissolved, when "Success to the New South Wales Photographic Society" was proposed and drunk with much enthusiasm.
The Sydney Morning Herald, 18 May 1889, page 13




Albert Bernard Schott was the eldest son of James Arthur Schott (born 1831 New York) of Hobart Town, Tasmania.  His grandfather was Adam Joseph Schott a son of Bernhard Schott, the founder of B Schott's Sohne, music publishers of Mainz [3].

His father James Arthur Schott died at Napoleon Street, Battery Point, Tasmania on 31 August 1888 [4].  Albert Bernard Schott married 6 August 1880 at Redfern, Sydney to Kate Mary Cullen youngest daughter of E. B. Cullen late of Redfern, Sydney, reg 2132/1880 Redfern.
 
issue included:
1. Annie Violetta Schott reg. 7812/1881 New South Wales
2. Aroha Gladys Schott reg. 1883/6002 New Zealand
3. Irene M. Schott reg. 2182/1885 New South Wales
4. Elsie M. Schott reg. 11331/1887 New South Wales
5. Rose V. Schott reg. 11332/1887 New South Wales
6. Albert T. Schott reg. 29989/1890 New South Wales
7. Leslie V. Schott reg. 30969/1893 New South Wales
8. Lucy E. Schott reg. 34897/1897 New South Wales



[1] Pubs Galore - A History of Dunedin Hotels 1848-1984, Frank Tod
[2] Dunedin in 1875 by Calvert and Cook
[3] Rootsweb -  http://archiver.rootsweb.ancestry.com/th/read/SCHOTT/2004-10/1097522910
[4] The Mercury (Hobart, Tas), 1 September 1888, page 1


Hansard & Co



Hansard & Co.
Photographers

 1900 - Zealandia Studio, Gloucester Street, Christchurch 
1901 - American Studio, High Street, Christchurch




  
Star, Issue 6983, 24 December 1900, Page 5



Star, Issue 7074, 16 April 1901, Page 3

While You Wait Studios





While You Wait Studios
Phil Teague
 111 Worcester Street, Cathedral Junction, Christchurch


While You Wait Studios, originally of Manchester St, has relocated to a new site in Worcester Street's re-opened Cathedral Junction.

"The great thing about While You Wait Portraits is that you can literally walk in off the street and have your photo taken," store owner Phil Teague says. "You don't even need to make an appointment if you come in before 1.30pm."

Phil's interest in photography harks back to his primary school days and his Box Brownie camera. His after-school job was working as one of the last street photographers of Cathedral Square with Elmar and Ambrose Studios.

"They were the days when approaching a stranger in the street and getting them to pause, pose, smile and pay for it was still happening," Phil says. "They would order from the black and white proofs the next day."

However, it wasn't until he was 18 and joined the RNZAF to be trained as a photographer that he gained the qualifications he needed for a career.

Phil bought While You Wait Studios more than 17 years ago, and has steadily built up his business to include some top-of-the-range technology, including front projection virtual backgrounds in traditional portraits and the use of interchangeable stereoscopic lenses.

A projected background can be chosen from collections created by virtual background photographers around the world or a customer can bring in their own image on a 35mm slide.

"for those wanting to get the maximum from it 3d aspects, they can bring in small props - such as a favourite toy - to help build up the layers of the 3D image," Phil says.

Family portrait are photographed in both 2D and 3D, but it's the 2D images that are printed, while the 3D images can be viewed on a 3D television.

As a re-opening special, Phil is offering customers a special deal on family portraits. For just 499, you can have your studio photographs taken on-site and then take the file of digital images home with you. The package includes a studio sitting, one retouched image file and all the raw files from the session.

For an additional cost, customers can also purchase prints from the shoot, with prices starting from $55.

While You Wait is open Monday to Friday, from 9am till 1.30pm, afternoons by appointment, Saturdays from 10am til 3pm, and Sundays from 11am to 3pm.

While You Wait Studios, 111 Worcester Street, Cathedral Junction, or call 366 6267 or 027 484 8869. Email: phil@whileyouwait.co.nz or visit the website at: www.whileyouwait.co.nz

Christchurch Mail, 16 January 2014, page 20.



 
 Christchurch Mail, 16 January 2014, page 20.